Last week after a photoshoot at DCA, I dropped by Gravelly Point for a few minutes since I was feeling up to it (I am recovering from a shoulder injury). I didn’t stay long, but couldn’t resist the beautiful weather. I snapped some photos, but really wanted to try the EOS R shooting 4K through a 400mm lens, which equates to 700mm with the EOS R’s 4K crop. In short, 700mm handheld makes for great photos, but is really hard for video (duh).
The official photo blog of J. David Buerk Photography.
You guys, I’m super excited! I found some rolls of old, expired film laying around that I’d never gotten developed, so I sent them to the wonderful folks at The Find Lab last week and I just got the scans back!
I had no idea what was on them, but it turns out I shot 3 rolls on the same weekend in October, 2015. These rolls were all expired Kodak Gold given to me to kill off, and were definitely underexposed even though they were all shot at speed; I’m not quite sure why they were underexposed for this reason. Kodak Gold isn’t the best film in the World, and I prefer the soft teal hues of Fuji 400H as opposed to the oversaturated warm tones Kodak films tend to have.
Katie’s Cars and Coffee: October 24th, 2015
Saturday morning I went to Katie’s Cars and Coffee and shot the show on film. I have a hunch I used the 35mm f/1.4L for the whole show and most of the next day in Shenandoah, but I’m not 100%. It was a foreign invasion, with offerings from France, Germany, England, and Japan.
Shenandoah National Park’s Skyline Drive
The next day was the annual trip to Shenandoah National Park to take in Skyline Drive - this part I shot on film and digital.
I wish I could remember what trail we hiked while there. When the wind chill is bearable and we have the time we often go hiking during our annual trip. This was my first trip to Skyline Drive with my new car, and we spent most of our time there photographing all our cars. This was the first and only time Jake, Patrick, and I had our cars together on Skyline Drive, so the majority of my digital pictures were of the cars, and I used the film for nature and landscape photography. I used a mix of lenses, but I can say for sure the first photo was shot using the TS-E 90mm f/2.8.
In September, 2000 my family had gone on a trip making its way North along the Eastern seaboard. One of the stops was in Liberty, New Jersey to see The Statue of Liberty and Ellis Island - we never went into Manhattan proper much to my disappointment.
This was WAY before I knew anything about photography - I just liked taking pictures on my little Kodak Advantix.
This is a picture I shot at age 12 in the year 2000 from the Northern side of Liberty State Park, Jersey City, New Jersey - now the current site of the Empty Sky Memorial. I remember my parents bickering over whether "those two tall buildings are the Twin Towers or the World Trade Center." I said I thought they were both; the same thing. Fast forward a year, and everyone in the World knew the answer without a doubt.
It's incredible to me that I even have this picture, that I shot it myself. I was 12. The majority of my life has been post-9/11, working at IAD and DCA. My entire aviation related career arc has directly resulted from that day in 2001. This photo is a relic of a time before that; before the TSA and DHS existed, before all the post-9/11 security and societal changes that resulted.
Here is that photo I unwittingly took at age 12.
This August I travelled to Rhode Island to visit my friend Alyssa on her birthday, however due to a need for flexible scheduling, I made the journey by car rather than flying this time. It occurred to me by doing this I could make a quick stop at Liberty State Park in Liberty, New Jersey and see the Empty Sky memorial, which I’d only learned of its existence about a year prior thanks to my friend Natalie (who happens to live just 5mi away in Weehawken - I got to visit her on my stop as well :-D). I knew it was the same spot I’d taken that photo as a 12 year old, but it wasn’t until the night before leaving I realized I could try and replicate that photo and compare the New York City skyline across 18 years of history. Before going to bed, I printed a scale copy of my 18 year old photo of the New York skyline (the original print would stay safely at home).
Remarkably, the weather was visually similar to that day in 2000. Textured overcast, but no fog obscuring skyscrapers’ upper floors. Inspecting the original picture, I counted 12 light poles visible, which would give me a good starting point to get me close to the same spot for that matching perspective. To my surprise, the park benches and even the trash cans hadn’t changed in all this time. In order to fit all 12 light posts in-frame, I walked back parallel to 13th light post from the end, and incredibly the perspective aligned almost perfectly - even the park benches lined up, though some trash cans moved, as you’d expect they would over the course of 18 years.
I’d come here with a purpose, and to my surprise it took me longer to walk to this spot from my car than it did to fight the wind in correctly lining up my photograph in the shot. Next, I wanted to capture a modern view of the same angle. Taking these photos even required me a lower my camera a little bit to account for my shorter 12 year old stature.
And here are the photos, 2000 and 2018, side-by-side. History in both pictures; the Twin Towers visible in 2000, and One World Trade Center erected adjacent to the empty sky where they once stood. Many other buildings have also sprung up across the skyline, and the freshly planted trees in my original picture are all grown up today.
Continue reading for more views of the New York City skyline later in this post.
Next stop was the Empty Sky memorial, just steps away, visible in the righthand side of the photos above. Empty Sky was dedicated on September 10, 2011, the day before 9/11’s 10th anniversary. Designed by Jessica Jamroz and Frederic Schwartz, Empty Sky is comprised of twin 30ft tall walls spanning 208ft 10in engraved with the names of all 746 victims of the September 11th attacks; on one side, I beams from the Twin Towers stand solemnly - on the other, directly across the Hudson, lies Ground Zero, and the empty sky in the New York skyline where the Twin Towers had stood. The memorial is impressive at all times of day.
New York City
New York’s sky today is still beautiful, just different. New buildings have sprung up, and One World Trade Center now watches over the city, with the Empire State Building, Chrysler Building, and 432 Park Avenue all overlooking the city uptown. The last five times I’ve been to this city, I’ve been in the city, so this was also happened to be my first opportunity to photograph New York’s cityscape since I was here at age 12.
I'm sure a lot of you are planning to watch Monday's solar eclipse, and if you're a photographer I'm equally sure you've seen some information pertaining to how to safely photograph the moon's transit across our sun. I'd like to share some information with you to point you in the right direction where you will be able to find more detail on certain topics, with a focus on optics.
Since you may be wondering, I will not be directly photographing the eclipse myself, though I do plan on traveling to the totality zone to enjoy the astronomy show, and probably document my journey and the other sunwatchers I'm sure to find.
Solar Eclipse Glasses
I won't mince words; if you don't already have the ISO 12312-2 compliant "solar sunglasses" you probably won't be able to get them. They are long-since sold out of all online retailers for delivery before Monday, and all stores are out of them unless they get a batch of them in on Saturday or Sunday. Here is a list of reputable eclipse glasses vendors, though expect most of them to be sold out.
It is extremely important to only use ISO 12312-2 compliant solar filter film glasses to view the sun at all times any part of the sun's surface is exposed; in the DC Metro area, this means you must view the eclipse through the glasses at all times, because that area is outside of the path of totality, and therefore there will always be part of the sun exposed. Solar filters such as the film in these glasses do more than stop down visible light; they also block invisible ultraviolet (UV) and infrared (IR) light - this is key because the UV light especially can be so intense that it will permanently burn and destroy the central cones in your retinas, creating permanent central blind spots in your vision. Without the solar filter, this dangerous UV light is not reduced to safe levels even if visible light from the sun is comfortably reduced; this is why "doubling up" on sunglasses is not a safe way to view the eclipse, and can cause just as much damage as staring directly at the sun bare. Even with the solar filter glasses, you must only take short looks at the sun through the glasses - view the eclipse for no more than a minute at a time, taking long breaks between viewings to allow your eyes a rest and prevent eye damage which can still take place with extended viewing through the glasses.
Best Buy and Michaels seem to be the most knowledgeable about the glasses, though you should call first thing in the morning to ask about availability, and rush over in the unlikely event they have any more in stock. Lowe's also carries the glasses, but are out of stock as well. Home Depot is giving out unsafe advice to buy their welders goggles, but this is a bad situation, because they do not sell the required Shade 13 or 14 welders goggles - they only stock Shade 8, which is much too light, and will cause eye damage when viewing the sun. Please refer to the link above for more information on welders goggles.
If you don't have any glasses at this point your best bet is to arrive at the Smithsonian National Air and Space Museum Steven F. Udvar-Hazy Center in Chantilly, Virginia by 5AM to wait for admittance to pick up some of the limited supplies of the glasses they have. The NASM has small quantities of the glasses they give away on a first-come-first-serve basis. On Saturday and Sunday they have 300 pairs of glasses available, and all will go to the first groups who arrive at the gate. On Monday, the day of the eclipse, 1,000 pairs of the solar glasses will be made available while supplies last. This Friday morning the first car arrived at 4AM to wait; gates into the NASM parking lot are opened at 8AM, by which time a line of cars stringing all the way up to the 28 overpass will have formed.
At this time a line is formed outside the Udvar-Hazy building (and well beyond) until admission to the building is granted at 9AM. Another hour waiting, and the museum staff begin giving glasses to guests at the museum's opening time of 10AM. Glasses are provided on a basis of two per group / family - realistically you can act as if you don't know one another and are a single person representing a group of two, but lets have some ethics and not abuse this - there aren't many glasses to go around, and if you can afford share a pair, then be good and let others also get to experience this rare phenomenon. Plan to arrive early, and spend lots of time on your feet waiting in line.
Alternative Viewing Methods
As mentioned above, one can use Shade 13 and higher welding goggles, though this is a hard to find shade, since most stores stock much lighter shaded glass which is unsafe to view the eclipse. If you have welders glass already, and it doesn't explicitly list the shade rating, do not trust it - permanent eye damage is not worth the risk.
An easy method anyone can perform with basic office supplies is to create a pinhole viewer. All you need is some cardstock and a white surface to place the projection on. Make a 3mm round hole in the cardstock and by hand focus the sun on your white surface; the eclipse will be visible projected on the surface through the pinhole. This is in essence a pinhole camera. You are safe to view the projection without any eye protection, though you may want some sunglasses since it will still be quite bright.
Photographic Equipment and Telescopes
And here is the big reason I am writing this quick guide - I want you photographers to stay safe, and keep your gear safe.
Please, if you do not have a dedicated solar filter or solar film for your camera or other optical equipment, do not under any circumstance attempt to photograph the eclipse directly. Without a solar filter, the intense brightness and heat of the sun's rays will burn and destroy your camera's sensor, and can become so hot it can begin to melt and etch an image in the sensitive surfaces of your camera such as the focusing screen. You can indeed interchangeably use a telescope filter or raw solar film sheets on a camera; the key is you must have total coverage of the lens, and must never use the viewfinder for any reason.
Furthermore, "doubling up" on neutral density (ND) filters will reduce the visible light to a safe level for your sensor, but does nothing to reduce the ultraviolet (UV) and infrared (IR) lightwaves which can still damage your sensor; UV filters, and the IR filter built into every camera's sensor may not be strong enough to reduce these wavelengths to a safe level - if you choose to use ND filters, do so at your camera's own risk; you will need at least 18 stops (ND 5.4) of density to reduce the sun's visible light to a level safe for your sensor. Unless you have a dedicated solar filter, I recommend only attempting the ND method on a camera you are comfortable with possibly breaking permanently. If you go this method I recommend placing a lens cap over the lens at all times except when focusing (via live-view only) or short bursts of shooting; don't expose the sensor or glass to any undue amounts of the sun's rays.
For all circumstances, you must only use live-view to focus and shoot - do not under any circumstance look through the viewfinder when aimed at the sun, regardless of if your camera has a solar filter installed or not. Solar filters for optical equipment do not as stringently adhere to ISO 12312-2 compliance which is required for safe viewing with human eyes. Furthermore, even using the solar sunglasses to look through the viewfinder will also be harmful because of the focused intensity of the sun through the camera's optics. Do not attempt to use the solar glasses solar filter film as a camera lens solar filter; your camera must have 100% complete lens coverage in order for it to safely photograph the eclipse; your solar glasses' filter is not large enough to cover the entire lens, save for camera phones. Looking through the viewfinder is placing a hypothetical ant (your eye / retina) under a literal magnifying glass (your camera / lens).
If you do have all the required materials to safely shoot the sun, you will need a lens or telescope capable of reaching the 500 - 800mm range to fill the frame with the sun to a useful amount.
This is a historic event; don't get caught up in your camera so much that you miss watching!
I will mostly be enjoying the journey and nature of our moon blocking view of our sun, rather than fiddling with a camera; this is rare event that I wasn't even sure I'd be available to enjoy due to other scheduled photoshoots which have now been postponed (probably because people want to watch the eclipse?). Since I only found out I'm free in the last few days, I will not be photographing the eclipse directly because A) I couldn't find a solar filter available for sale in time for a reasonable price, B) because the risks to my gear are too great for my comfort, C) there will be a massive amount of coverage by others who are better equipped to document this event, such as those at NASA, and D) it's nice to relax sometimes. I will instead be enjoying the eclipse through my solar eclipse glasses and documenting the journey and those I see watching the eclipse on Monday.
Hopefully you all will be able to enjoy the solar eclipse safely and easily; please, please do not take any silly risks - hurting your camera may hurt your wallet, but hurting your eyes will hurt forever - don't risk anything - stay safe folks!
Below I'm leaving some helpful links which go into more detail about the eclipse than I've outlined here; please visit them and read for more depth than the overview I've provided.
Helpful Eclipse Links
Last year I was hired to film a short documentary series that quickly became the most meaningful project I've ever worked on in my professional career to-date. That project was The Arc of Northern Virginia's Housing Choice Voucher web series.
I first became familiar with The Arc during my time filming the Wings for All program, which is a simulated commercial flight experience so individuals with disabilities may learn and practice what it's like to navigate an airport, get screened by TSA, and board a real aircraft.
After my work on several Wings for All events, The Arc of Northern Virginia tapped me for a new video project - a documentary web series portion of a grant in partnership with the Virginia Housing Development Agency and Virginia Housing and Supportive Services. Each short film educates viewers about the Housing Choice Voucher option offered in Virginia.
Housing Choice Vouchers give individuals with disabilities affordable access to independant housing, which increases quality of life and satisfaction over other housing options, such as group homes. This allows other sources of income, such as Medicaid waivers, to go further in paying for other necessary services such as in-home caregivers.
Filming the series took place over the course of several months, in various locations across the Northern Virginia region. Filming this series introduced me to many vibrant people with incredible stories, and all do great work in the local, state, and even national community, which you'll see in the series itself. This series was truly and incredible experience to work on, and even though it was definitely the most challenging project I've taken on to-date (this series required an immense amount of post-production; each interview was about 1.5 - 2hrs long), this documentary series is by far the most meaningful project I have ever completed - I am truly proud to have been a part of it in cooperation with The Arc, and I truly look forward to more projects similar to this one.
Before we get into the series itself, I'd like to share some useful links which will help you learn more information about Housing Choice Vouchers in Virginia.
- The Arc of Northern Virginia Homepage
- The Arc of Northern Virginia Housing Choice Voucher Housing Toolkit
- United States Department of Housing and Urban Development List of Virginia Housing Choice Voucher and Section 8 Providers by County
- Fairfax County, Virginia Department of Housing Fairfax County Rental Program
- Fairfax County Department of Housing and Community Development Reasonable Accommodation Packet
- The Arc (National) Homepage
And now, here are all films in the series.
Housing Choice Voucher 2016 Series: #1 - Brian
Brian, his family, and caregivers detail how his life has improved thanks to the Housing Choice Voucher following his traumatic brain injury.
Housing Choice Voucher 2016 Series: #2 - Gail and Esther
Gail and Esther are best friends who live independently in the same apartment complex, and have technological aids to help them.
Housing Choice Voucher 2016 Series #3 - David and Rory
David and Rory live together in spacious apartment, and are now able to cook their own meals and travel their own community, which was impossible in the group home setting they both lived in before receiving their Housing Choice Vouchers.
Housing Choice Voucher 2016 Series: #4 - Rogan
Rogan's Housing Choice Voucher has helped provide him with a stable home with a live-in caregiver, as his parents begin to age.
Housing Choice Voucher 2016 Series: #5 - Theresa
Theresa Rankin was homeless from the medical expenses following her traumatic brain injury, but a series of events turned that around and now she has an apartment where she lives independently. Theresa then founded BrainLine.org, a national non-profit organization in partnership with PBS specializing in preventing, treating, and living with traumatic brain injuries. Theresa continues to be a National Community Educator with Brain Injury Services.
Housing Choice Voucher 2016 Series: #6 - Robert
Robert was able to receive a Housing Choice Voucher even after a legal misunderstanding resulting from his disability, after he completed a Reasonable Accommodation Application.
Finally, I have to thank Kymberly DeLoatche, Lucy Beadnell, Rikki Epstein, Janene Shaw, and everyone else who was instrumental in making this large, technical, and wonderful project a reality! Thank you for all your help!